CV

Suyeong Lim (email : lim.rheem@gmail.com)

(ํ•œ๊ตญ์–ด๋Š” ์•„๋ž˜์— ์žˆ์Šต๋‹ˆ๋‹ค.)

Education

Seoul National University, Ph.D Candidate in Aesthetics Department (2019~)

Seoul National University, M.A. in Aesthetics (2018) โ€œA study on Cognitive Values of Art : Focusing on Knowledge and Understandingโ€ (written in Korean)

Korea University, B.A. in Psychology & Philosophy (2015)

Areas of Specialization

Analytic Aesthetics.

Publication & Presentation

Suyeong, Lim (2023) โ€œA critique of the eliminationist definition of creativity๏ผšIs the production of a valuable product really unnecessary in creativity?โ€, Aesthetics, vol. 89, no. 4, Korean Society of Aesthetics. (written in Korean)

: Presented at 2023 Spring Conference of Korean Society of Aesthetics (in Korean)

Suyeong, Lim (2023) โ€œHow Can Creativity be Defined?: A Criticism on Creativity as a Virtueโ€, World Humanities Forum Proceeding Book, pp. 682-685. (written in Korean)

: Presented at 2023 World Humanities Forum (in Korean)

Suyeong, Lim (2022) โ€œSelf-Knowledge and Agencyโ€, Sogang Journal of Philosophy, vol. 71, SOGANG UNIVERSITY Institute of Philosophical Studies ,pp. 37-67. (written in Korean)

Suyeong, Lim (2021) โ€œArtistic Creativity and Rationality: the Conditions of Artistic Creativityโ€, The Journal of Humanities, vol. 78, no. 4, Seoul National University Institute of Humanities, pp. 15-59 (written in Korean)

: Presented at 2021 Fall Colloquium of SNU Aesthetics Department (in Korean)

Suyeong, Lim (2020) โ€œCRITICAL CONSIDERATION ON BERYS GAUTโ€™S THEORY OF CREATIVITY: FOCUSING ON CREATIVITY AND SKILLโ€, Aesthetics, vol. 86, no. 3, Korean Society of Aesthetics, pp .131-168. (written in Korean)

: Presented at 2020 Spring Conference of Korean Society of Aesthetics (in Korean)

Suyeong, Lim (2019) โ€œCRITICAL CONSIDERATION ON COGNITIVE VALUES OF ART: FOCUSING ON NON-PROPOSITIONAL KNOWLEDGE AND UNDERSTANDINGโ€, Aesthetics, vol. 85, no. 3, Korean Society of Aesthetics, pp.1-43. (written in Korean)

: Presented at International Conference of Aesthetics 2019 (in English)

Grants & Fellowships

2023 National Research Foundation of Korea Ph.D Fellowship

2020-2021 Seoul National University Academic Future Generation Grant

Teaching/Lecture

2022~ โ€œPopular Arts and Criticismโ€ at Chosun University (Co-teaching)

2024.09.26 โ€œThe Dilemma of Eco-friendly Artโ€ at UNITAR CIFAL Jeju (invited lecture for 2024 Global Youth Art Camp)

2024 Spring, Fall Semester โ€œPhilosophical Perspective on Artโ€ at Seoul National University (Teaching Assistant)

2022~2023 Korean Writing Tutor at Faculty of Liberal Education at Seoul National University

2023 Spring, Fall Semester โ€œPhilosophical Perspective on Artโ€ at Seoul National University (Teaching Assistant)

2021 Spring, Fall Semester โ€œArt Criticism and Values of Artโ€ at Seoul National University (Teaching Assistant)

2020 Spring, Fall Semester โ€œUnderstanding Popular Artโ€ at Seoul National University (Teaching Assistant)

2019 Spring Semester โ€œArt History and Cultural Contentsโ€ at University of Suwon


ํ•™๋ ฅ

์„œ์šธ๋Œ€ํ•™๊ต ์ธ๋ฌธ๋Œ€ํ•™ ๋ฏธํ•™๊ณผ ๋ฐ•์‚ฌ ๊ณผ์ • ์ˆ˜๋ฃŒ (2019~)

์„œ์šธ๋Œ€ํ•™๊ต ์ธ๋ฌธ๋Œ€ํ•™ ๋ฏธํ•™๊ณผ ๋ฌธํ•™ ์„์‚ฌ (2018) โ€œ์˜ˆ์ˆ ์˜ ์ธ์ง€์  ๊ฐ€์น˜์— ๋Œ€ํ•œ ์—ฐ๊ตฌ: ์ง€์‹๊ณผ ์ดํ•ด๋ฅผ ์ค‘์‹ฌ์œผ๋กœโ€

๊ณ ๋ ค๋Œ€ํ•™๊ต ๋ฌธ๊ณผ๋Œ€ํ•™ ์‹ฌ๋ฆฌํ•™๊ณผ ( ์ฒ ํ•™ ์ด์ค‘ ์ „๊ณต ) ๋ฌธํ•™์‚ฌ (2015)

์ „๋ฌธ ๋ถ„์•ผ

๋ถ„์„ ๋ฏธํ•™.

์ถœํŒ ๋ฐ ๋ฐœํ‘œ

์ž„์ˆ˜์˜ (2023) โ€œ์ฐฝ์˜์„ฑ์— ๋Œ€ํ•œ ์ œ๊ฑฐ์ฃผ์˜ ์ •์˜ ๋น„ํŒโ€, ๋ฏธํ•™, vol. 89, no.4, ํ•œ๊ตญ๋ฏธํ•™ํšŒ.

: ํ•œ๊ตญ๋ฏธํ•™ํšŒ ์ถ˜๊ณ„ํ•™์ˆ ๋Œ€ํšŒ (2023.4)์—์„œ ๋ฐœํ‘œ.

์ž„์ˆ˜์˜ (2023) โ€œ์ฐฝ์˜์„ฑ์€ ์–ด๋–ป๊ฒŒ ์ •์˜๋  ์ˆ˜ ์žˆ๋Š”๊ฐ€?: ๋•์œผ๋กœ์„œ์˜ ์ฐฝ์˜์„ฑ ๋น„ํŒโ€, ์„ธ๊ณ„ ์ธ๋ฌธํ•™ ํฌ๋Ÿผ ๋…ผ๋ฌธ ์ž๋ฃŒ์ง‘, pp. 682-685.

: ์„ธ๊ณ„์ธ๋ฌธํ•™ํฌ๋Ÿผ (2023.11)์—์„œ ๋ฐœํ‘œ.

์ž„์ˆ˜์˜ (2022) โ€œ์ž๊ธฐ ์ง€์‹๊ณผ ํ–‰์œ„์ž์„ฑโ€, ์ฒ ํ•™๋…ผ์ง‘, vol. 71, ์„œ๊ฐ•๋Œ€ํ•™๊ต ์ฒ ํ•™์—ฐ๊ตฌ์†Œ, pp. 37-67.

์ž„์ˆ˜์˜ (2021) โ€œ์˜ˆ์ˆ ์  ์ฐฝ์˜์„ฑ๊ณผ ํ•ฉ๋ฆฌ์„ฑ โ€” ์˜ˆ์ˆ ์  ์ฐฝ์˜์„ฑ์˜ ์กฐ๊ฑด๋“ค์„ ์ค‘์‹ฌ์œผ๋กœโ€, ์ธ๋ฌธ๋…ผ์ด, vol. 78, no. 4, ์„œ์šธ๋Œ€ํ•™๊ต ์ธ๋ฌธํ•™์—ฐ๊ตฌ์›, pp. 15-59.

: ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธํ•™๊ณผ ๋ชฉ์š” ์ฝœ๋กœํ€ด์—„(2021.9)์—์„œ ๋ฐœํ‘œ.

์ž„์ˆ˜์˜ (2020) โ€œ ๊ฑฐํŠธ์˜ ์ฐฝ์˜์„ฑ ์ด๋ก ์— ๋Œ€ํ•œ ๋น„ํŒ์  ์ดํ•ด : ์ฐฝ์˜์„ฑ(Creativity)๊ณผ ๊ธฐ์ˆ  (Skill)์˜ ๊ด€๊ณ„๋ฅผ ์ค‘์‹ฌ์œผ๋กœโ€, ๋ฏธํ•™, vol. 86, no. 3, ํ•œ๊ตญ๋ฏธํ•™ํšŒ , pp. 131-168.

: ํ•œ๊ตญ๋ฏธํ•™ํšŒ ์ถ˜๊ณ„ํ•™์ˆ ๋Œ€ํšŒ (2020.5)์—์„œ ๋ฐœํ‘œ.

์ž„์ˆ˜์˜ (2019) โ€œ์˜ˆ์ˆ  ์ธ์ง€์ฃผ์˜์˜ ์ฃผ์žฅ๋“ค์— ๋Œ€ํ•œ ๋น„ํŒ์  ๊ฒ€ํ†  : ๋น„๋ช…์ œ์  ์ง€์‹๊ณผ ์ดํ•ด๋ฅผ ์ค‘์‹ฌ์œผ๋กœโ€, ๋ฏธํ•™, vol. 85, no. 3, ํ•œ๊ตญ๋ฏธํ•™ํšŒ, pp. 1-43.

: ์„ธ๊ณ„ ๋ฏธํ•™์ž ๋Œ€ํšŒ (2019.7) ์—์„œ ๋ฐœํ‘œ

์žฅํ•™๊ธˆ ๋ฐ ์—ฐ๊ตฌ์ง€์›

2023 ํ•œ๊ตญ์—ฐ๊ตฌ์žฌ๋‹จ ๋ฐ•์‚ฌ๊ณผ์ •์ƒ ์—ฐ๊ตฌ์žฅ๋ ค๊ธˆ

2020-2021 ์„œ์šธ๋Œ€ํ•™๊ต ํ•™๋ฌธํ›„์†์„ธ๋Œ€ ์žฅํ•™๊ธˆ

๊ต์œก

2022~ โ€œ๋Œ€์ค‘์˜ˆ์ˆ ๊ณผ ๋น„ํ‰โ€ ์กฐ์„ ๋Œ€ํ•™๊ต ์‹œ๊ฐ๋ฌธํ™”ํ๋ ˆ์ดํ„ฐ ํ•™๊ณผ(ํŒ€ ํ‹ฐ์นญ)

2024.09.26 โ€œThe Dilemma of Eco-friendly Artโ€ UNITAR ์ œ์ฃผ ๊ตญ์ œ ์—ฐ์ˆ˜์„ผํ„ฐ

2024 ๋ด„,๊ฐ€์„ํ•™๊ธฐ โ€œ์ฒ ํ•™์œผ๋กœ ์˜ˆ์ˆ ๋ณด๊ธฐโ€, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธํ•™๊ณผ(์ˆ˜์—… ์กฐ๊ต)[*๋ด„ํ•™๊ธฐ ๊ฐ•์˜์กฐ๊ต ์šฐ์ˆ˜ ํ™œ๋™ ์‚ฌ๋ก€ ์„ ์ •]

2023 ๋ด„,๊ฐ€์„ํ•™๊ธฐ โ€œ์ฒ ํ•™์œผ๋กœ ์˜ˆ์ˆ ๋ณด๊ธฐโ€, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธํ•™๊ณผ (์ˆ˜์—… ์กฐ๊ต)[*๋ด„ํ•™๊ธฐ ๊ฐ•์˜์กฐ๊ต ์šฐ์ˆ˜ ํ™œ๋™ ์‚ฌ๋ก€ ์„ ์ •]

2022~2023 ์„œ์šธ๋Œ€ํ•™๊ต ๊ธฐ์ดˆ๊ต์œก์› ๊ธ€์“ฐ๊ธฐ ์„ผํ„ฐ ๊ธ€์“ฐ๊ธฐ ํŠœํ„ฐ

2021 ๋ด„,๊ฐ€์„ํ•™๊ธฐ โ€œ์˜ˆ์ˆ ์˜ ๊ฐ€์น˜์™€ ๋น„ํ‰โ€, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธํ•™๊ณผ (์ˆ˜์—… ์กฐ๊ต) [*๊ฐ€์„ ํ•™๊ธฐ ๊ฐ•์˜์กฐ๊ต ์šฐ์ˆ˜ ํ™œ๋™ ์‚ฌ๋ก€ ์„ ์ •]

2020 ๋ด„,๊ฐ€์„ํ•™๊ธฐ โ€œ๋Œ€์ค‘์˜ˆ์ˆ ์˜ ์ดํ•ดโ€, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธํ•™๊ณผ (์ˆ˜์—… ์กฐ๊ต)

2019 ๋ด„ํ•™๊ธฐ โ€œ ์˜ˆ์ˆ ์‚ฌ์™€ ๋ฌธํ™”์ฝ˜ํ…์ธ โ€ , ์ˆ˜์›๋Œ€ํ•™๊ต ๋ฌธํ™”์ฝ˜ํ…์ธ ํ…Œํฌ๋†€๋กœ์ง€ ํ•™๊ณผ